Sigiriya (Lion's rock) is an ancient rock fortress and palace ruin situated in the central Matale District of Sri Lanka, surrounded by the remains of an extensive network of gardens, reservoirs, and other structures. A popular tourist destination, Sigiriya is also renowned for its ancient paintings (frescos),[1] which are reminiscent of the Ajanta Caves of India. The Sigiriya was built during the reign of King Kassapa I (AD 477 – 495), and it is one of the seven World Heritage Sites of Sri Lanka.[2][3]
Sigiriya may have been inhabited through prehistoric times. It was used as a rock-shelter mountainmonastery from about the 5th century BC, with caves prepared and donated by devotees to the Buddhist Sangha. The garden and palace were built by King Kasyapa. Following King Kasyapa's death, it was again a monastery complex up to about the 14th century, after which it was abandoned. . The Sigiri inscriptions were deciphered by the archaeologist Senarath Paranavithana in his renowned two-volume work, published by Oxford, Sigiri Graffiti. He also wrote the popular book "Story of Sigiriya".[4]
The Mahavamsa, the ancient historical record of Sri Lanka, describes King Kasyapa as the son of King Dhatusena. Kasyapa murdered his father by walling him alive and then usurping the throne which rightfully belonged to his brother Mogallana, Dhatusena's son by the true queen. Mogallana fled to India to escape being assassinated by Kasyapa but vowed revenge. In India he raised an army with the intention of returning and retaking the throne of Sri Lanka which he considered was rightfully his. Knowing the inevitable return of Mogallana, Kasyapa is said to have built his palace on the summit of Sigiriya as a fortress and pleasure palace. Mogallana finally arrived and declared war. During the battle Kasyapa's armies abandoned him and he committed suicide by falling on his sword. Chronicles and lore say that the battle-elephant on which Kasyapa was mounted changed course to take a strategic advantage, but the army misinterpreted the movement as the King having opted to retreat, prompting the army to abandon the king altogether. Moggallana returned the capital to Anuradapura, converting Sigiriya into a monastery complex.
Frescos
John Still in 1907 suggested, "The whole face of the hill appears to have been a gigantic picture gallery... the largest picture in the world perhaps".[14] The paintings would have covered most of the western face of the rock, covering an area 140 metres long and 40 metres high. There are references in the graffiti to 500 ladies in these paintings. However, many more are lost forever, having been wiped out when the Palace once more became a Monastery so that they would not disturb meditation.[citation needed] Some more frescos different from the popular collection can be seen elsewhere on the rock surface, for example on the surface of the location called the "Cobra Hood Cave".
Although the frescoes are classified as in the Anuradhapura period, the painting style is considered unique,[citation needed] the line and style of application of the paintings differing from Anuradhapura paintings. The lines are painted in a form which enhances the sense of voluminousness of figures. The paint has been applied in sweeping strokes, using more pressure on one side, giving the effect of a deeper colour tone towards the edge. Other paintings of the Anuradhapura period contain similar approaches to painting, but do not have the sketchy lines of the Sigiriya style, having a distinct artists' boundary line.[citation needed]
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